Ayşe Erkmen & Mona Hatoum

Current

Ayşe Erkmen & Mona Hatoum

Displacements/Entortungen

18/11/2017 — 18/02/2018

Ayşe Erkmen Glassworks, 2015 / 2017, Courtesy of the artist and Galerie Barbara Weiss, Berlin, Barbara Gross Galerie,
München / Munich, Dirimart, Istanbul, © Ayşe Erkmen, Foto: dotgain.info
Ayşe Erkmen Glassworks, 2015 / 2017, Courtesy of the artist and Galerie Barbara Weiss, Berlin, Barbara Gross Galerie, München / Munich, Dirimart, Istanbul, © Ayşe Erkmen, Foto: dotgain.info
Mona Hatoum, Cellules, 2012–2013, Courtesy of the artist and Galerie Chantal Crousel, Paris, © Mona Hatoum, Foto: dotgain.info
Mona Hatoum, Cellules, 2012–2013, Courtesy of the artist and Galerie Chantal Crousel, Paris, © Mona Hatoum, Foto: dotgain.info
Ayşe Erkmen PFM-1 and others, 1997 / 2013, Privatsammlung / private collection, © Ayşe Erkmen, Foto: dotgain.info
Ayşe Erkmen PFM-1 and others, 1997 / 2013, Privatsammlung / private collection, © Ayşe Erkmen, Foto: dotgain.info
Ayşe Erkmen, Row-row, 2012, Privatsammlung / private collection, © Ayşe Erkmen, Foto: dotgain.info
Ayşe Erkmen, Row-row, 2012, Privatsammlung / private collection, © Ayşe Erkmen, Foto: dotgain.info
Mona Hatoum, Quarters, 2017, Courtesy of the artist and White Cube, © Mona Hatoum, Foto: dotgain.info
Mona Hatoum, Quarters, 2017, Courtesy of the artist and White Cube, © Mona Hatoum, Foto: dotgain.info
Mona Hatoum, Remains of the Day (s version), 2016, Courtesy of the artist, © Mona Hatoum, Foto: dotgain.info
Mona Hatoum, Remains of the Day (s version), 2016, Courtesy of the artist, © Mona Hatoum, Foto: dotgain.info
Mona Hatoum, Hot Spot III, 2009, Sammlung Goetz, München / Munich, © Mona Hatoum, Foto: dotgain.info
Mona Hatoum, Hot Spot III, 2009, Sammlung Goetz, München / Munich, © Mona Hatoum, Foto: dotgain.info
Ayşe Erkmen Alkoven, 1997 / 2017, Courtesy of the artist and Galerie Barbara Weiss, Berlin, Barbara Gross Galerie, München / Munich, Dirimart, Istanbul, © Ayşe Erkmen, Foto: dotgain.info
Ayşe Erkmen Alkoven, 1997 / 2017, Courtesy of the artist and Galerie Barbara Weiss, Berlin, Barbara Gross Galerie, München / Munich, Dirimart, Istanbul, © Ayşe Erkmen, Foto: dotgain.info
Mona Hatoum, Bourj A, 2011 | Bourj II, 2011 | Bourj III, 2011, Courtesy of the artist, © Mona Hatoum, Foto: dotgain.info
Mona Hatoum, Bourj A, 2011 | Bourj II, 2011 | Bourj III, 2011, Courtesy of the artist, © Mona Hatoum, Foto: dotgain.info
Ayşe Erkmen, Imitation / Taklit, 1987 / 2017, Courtesy of the artist and Galerie Barbara Weiss, Berlin, Barbara Gross Galerie, München / Munich, Dirimart, Istanbul, © Ayşe Erkmen, Foto: dotgain.info
Ayşe Erkmen, Imitation / Taklit, 1987 / 2017, Courtesy of the artist and Galerie Barbara Weiss, Berlin, Barbara Gross Galerie, München / Munich, Dirimart, Istanbul, © Ayşe Erkmen, Foto: dotgain.info
Mona Hatoum, Paravent, 2008, Sammlung Sander / The Sander Collection, Darmstadt/
Daybed, 2008, Courtesy of the artist, © Mona Hatoum, Foto: dotgain.info
Mona Hatoum, Paravent, 2008, Sammlung Sander / The Sander Collection, Darmstadt/ Daybed, 2008, Courtesy of the artist, © Mona Hatoum, Foto: dotgain.info

The MdbK exhibition “Displacements/ Entortungen” initiates a dialogue between the oeuvre of the two internationally renowned artists Ayşe Erkmen (Istanbul) and Mona Hatoum (Beirut) in an unprecedented joint exhibition. Both Erkmen’s and Hatoum’s artistic vantage point is their reflection about the specifics of a place, and the connected questions of politics and society.

Both artists integrate historical contexts of place in their art, and each finds unique processes of reflection about personal as well as global issues. The MdbK exhibition centers around the leitmotif of displacement. This entails the political dimension of being displaced, as well as the psychological dimension of displacing unconscious emotions, and a third dimension of undergoing a transformation as an artist.

The width of the leitmotif touches upon a multitude of formal, personal and contextual aspects of art. Ayşe Erkmen conjures the peculiarities of specific places in her art installations, thereby mirroring social, topographical and cultural resources, as well as the institutional framework within which the installations are created. Erkmen resists extensive dwellings on stylistic questions, but instead she retains a unique artistic position that is related to place.  In turn, Mona Hatoum gathers inspiration in the dimensions of space and her immediate environment. She makes use of the term ‘displacement’ in its sense of alienation and bewilderment. Her work features everyday objects in altered and enlarged shape, producing a picture of reality that is uncanny and antagonistic. Hatoum presents a world of disorientation and vulnerability, charged with conflict and opposites.  

The artistic common ground of Erkmen and Hatoum can be found in the artists’ reinvention of familiar means of expression: through giving new connotations to standard material, their oeuvre adopts larger realms of interpretive meaning.

An exhibition catalogue will be issued both in German and English. A broad educational program has begun as of fall 2016, which explores transcultural approaches to art within and outside of museums. You can find more information here: www.displacements.de

The exhibition will be supported by the Kulturstiftung des Bundes, by the Peter und Irene Ludwig Stiftung, by the Kulturstiftung des Freistaates Sachsen, the Bundeszentrale für politische Bildung/bpb and the Förderer des Museums der bildenden Künste Leipzig e.V.

Mona Hatoum, Cellules, 2012–2013, Courtesy of the artist and Galerie Chantal Crousel, Paris, © Mona Hatoum, Foto: dotgain.info
Mona Hatoum, Cellules, 2012–2013, Courtesy of the artist and Galerie Chantal Crousel, Paris, © Mona Hatoum, Foto: dotgain.info

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